Mudlark Poster No. 12 (1998)
Fernand Roqueplan
People
Hearing the Surf...
So Damn Tired
Hearing the Surf...
So Damn Tired
Fernand Roqueplan lives in Olympia, Washington, where he is a partner in a steelhead fishing guide service. His work has been published in Indiana Review, Laurel Review, Flyway, Texas Review, Florida Review, Critical Quarterly (London), and the anthology Anyone is Possible (Red Hen Press, 1997). He is a graduate of the Iowa Writers Workshop.
People
Ambition’s the keyword and capstone: every cafe a waitress poises over a pad, someone thinking he’s better needs Pammed eggs & Kona decaf— look at him—we shared a room in Culver City on his way down and mine up. He's still a player— kneed-in face, pits reeking, benzened suit aglow— still pinching big Ideas from his flat pockets, still giving Irene orders, his bitter-half rinsed in misery, bleak ice-mask framing ashy teeth. There’s Bud demanding fresh Boddingtons, angry the kids have learned to like it. “Manchester’s a slum,” he snarls at a plump shaved Berserker: “You’d get your slobby ass kicked there.” Bud’s descended from colliers & navvies but went to Oxford then taught drama at Iowa before being fired in ’93 for “turpitude.” Ashamed of having taught he tells the kids who ask that he’s a janitor. Why tell the truth—it’s boring lubrication. Rousseau was a selfish prick, but a talented one. He over- emphasized memoir; a karma policeman rear-ended, in the end, by graft. There’s a little known fact about park-crow behavior after bread’s thrown: the crow-children chase their parents, cawing plaintively to be fed. Though crusts litter the turf they go crying only for morsels spotted in a parent’s beak. Seems the world’s an open grave rimmed with stone-beige ice-benches speckled with mohair & lint where the parishioners, freed from Lent, have sat to smoke & commiserate & frost grasped their coatbacks and trouserseats and skirts. Under the benches hothouse daffodils with mushroom gravy petals brush old banana skins, rubber-banded stems crushed and frost-blackened. Who brings daffodils to a funeral? I love the idea of a corpse like mine adoring daffodils, baby’s breath, the collar sprays of embalmed crocus and hops.
Hearing the Surf, I Promise to Love You Better
Usually drunk when I made these promises to your sleeping head, I promise to promise the best ones sober, maybe they’ll stick and the least ones work too. The surf is aahhing as it does between low & high tides and you just kicked off the calico blanket, tracked me with pebble eyes, rasped “cat’s not in Tacoma now.” “Want some water, baby?” I ask but you’re asleep again. I replace your blanket then promise, aloud, to love you better. Of course the cat’s not in Tacoma— I killed him those days we still fought so vehemently the cat would sidestep us, arching & hissing, to claw the sofa as if seeing in the cheap floral fabric our faces—that night he revved up like a mad re-upholsterer I shouted “damn you!” & threw my drink on him and he slid under the shredded couch. I made a fresh 7&7, opened the front door to stand outside to cool off then Sherpa shot between my legs and under an auto on Division Avenue before I could stall him. Why is it you make it through the really big stuff—infidelity, downsizing, addiction, baredom—like a pro, then the small calamity kills you? That goddamn cat, last night I hit my Timex Indiglo to find my lighter under a pizza box and I remembered, in that flash, how Sherpa’s eyes glowed that same cute sinister green after I triggered the garage door every night coming home from the pulpmill bank or bars and he’d stare down the Dodge’s headlights, cat-proud & patient at the door alongside the shelf of pruning shears, motor oil and canned peaches, to be let in.
So Damn Tired
Slowed by snow yet finally unlocking our peace- bunker on Cannon Beach, the hue & cry city of work- stations & promotion choreography far behind, the Lindemans bin 65 chalking our mouths like Tums, the iris-scented corks underfoot jamming then releasing the accelerator at 85 outside Kalama so we screamed— maudlin vaudeville—just to stay awake. On the darkening spit fronting Webb's Scenic Surf the small lights of quaint cheaper homes float lanterns to guide us to the gull-laden estuary. Christmas, and so damn tired Ivory soap feels good as hard water armors the skin and hair with a paraffin batter of minerals & the lovely brown-vinyled dorm fridge has four of a Rainier six-pack abandoned by the last guest. At Port Orford kestrels and gulls clash over bay shrimp and the offal of fish & crab detritus from the dressing stations. The brine-shellacked haystack rocks, sea-blasted baked Alaskas featured in too many bad paintings cooked for tourists, are actually simply beautiful. Thunder-eggs, soap- stone meadowlarks, spiny grapes and mauve agates crunch comfortably underfoot. The stacked crab pots smell of pepper & ammonia, surprisingly pleasant with piquant fir and a dash of diesel as the dim sun photosynthesizes jackhammer moss spackle-fattened atop leaky skylights. The gas-log on Hi is hot enough to dry our sand-caked Nikes Reeboks & Filas until the ancient baseboards come to life pinging & clacking like moths in a carriage-lamp. And tired? I am nothing next to the whooping crane’s angelic snicker—god those bourboned Texas nights vacationing from the Marines to jack-light marsh-deer, hoping to christ later bouts of tiredness wasn’t Lyme disease from the tick-infested hides or AIDS from anything else—always wondering why? too late to save one’s grown-up self more jaded than wise. Only later claiming the guts and wherewithal to reverse the b.s.—stumbling over drift- wood on a frigid, moonless Oregon beach where the surf-lights have burned out & six bucks a pop for halogen bulbs is better spent on cheap chianti & malt liquor; my guests must drink.
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