10. Ahead, in front of a peat bed on the east side of Bryn Mill pipe, a line of razor clams, churned out of the waves last night. Brown-gold calligraphy on long white shells, most half-crushed. A satisfying angry crunch beneath the boots. Further east, limpets ornament the pipe in front of Victoria Park at low tide (the pipe always smelling slightly of sewage... everything we’re trying to forget — mass extinction, what happened seconds ago, where things come from, where they go — instantly flushed.) How call the dead out, the dead that are still alive inside us? And then a sudden flash of Rocky Flats: production home of plutonium ‘buttons’ (the bomb that detonated The Bomb). The government guide pointed to a stretch of concrete (Denver in the distance), said: “They poured concrete on top of a badly irradiated patch of earth, after the drums were shipped out...” To seal the poison in. Several mullein stalks had broken through the concrete, shivered slightly in the wind. Everyone looked at each other, confused. “But…there’s cracks in the concrete...” And I was born – right there, at the end of the world — ghost sirens in my head, wind carving a hole in my ear, and emerged, newborn and absurd, child of Pluto, eyes quickly learning the dark.
Christien Gholson | Tidal Flats 11 Contents | Mudlark No. 63 (2017)