near Vladivostok, 1938
his body a starved and emaciated flute his fingers turning into gloves of cracked ice tapping out the rhythm of a poem while the peasant-slayer drums the “thick worms of his fingers” on a table in Moscow— while the white wolf the ice fangs of history bear down on them both
Susan Kelly DeWitt | Chernobyl Contents | Mudlark No. 46 (2012)