Sauce reduction | Come my little words
Two Poems by David Sahner
Sauce reduction
to an irresistible glaze. The sugar that dresses a scorpion in the pot. That is where the flavor lives — between sugar and poison. So concentrated the lines. Fill these take-away boxes with the syllables — the booty. A narrator maintains judicious distance. His words have not been neutered by precedent. But what rectitude is there in obtuse lines that speak of nothing? His extravagant diction only makes for further obfuscation. Outside the light cone of words he sits in perplexity. A voice that communicates without speaking shapes the hills of his thought. So drenched in words he can’t see the other writers teetering on their barstools. He knows that one day snippets of code will hiss their own errant truths — spectral lines peeled from silicon among the nude equations. No strawberries or cream necessary. Just a mudroom where the shapeless boots of emotion are shed by the large language model. Who steals our selves from our eyes? The Chatter that hides beneath a roof of keys and speaks of our strange desires that stab at nothing it can see.
Come my little words
my little mandrake roots forked like the legs of man. Walk onto the sugar-white leaf of this unwritten page — please rise from the cradle of earth. Or should I look elsewhere for encouragement? Mundane grief inscribed in a sycamore leaf perhaps trodden into the indifferent dirt. Or harlots who were virgins once — their signet rings stamped into the wax of weak men and women so susceptible to bling. An echo of dead poets brings truth to no one in particular. And rules that speak naively to no one soar upward to their imagined relevance. This ear of corn — a word in each kernel — knows its own power. Fertility rising from the fields. Follow the turns of this weathervane toward the ruins of unwritten lines — veins branching across plains of skin beneath wands in the arboreal air. A merlin steals cunning from what is natural. Poetry (he says) lies beneath the drowsing lilacs. A genre of blame, Daddy. Don’t dawdle in the alley of misbegotten love. Cane the back of truth and find remorse in love — the ruth the ruth! A Jacquard loom spins your weave. An algebraic scheme. Sorghum in the fields crosses red heads amid the clangor of muffled bells. Somewhat squiffy, are you? Sniff out flakes of schist split from worlds by the indifferent hands of a clock. The dull copper kettle pipes its steam — Enjoy the field. What speaks after the poem’s last line says nothing — so naked is its ignorance.
David Sahner is a physician-scientist and poet whose poetry has appeared in journals on both sides of the Atlantic, including Tears in the Fence, Agenda, The Bitter Oleander, Connecticut Review, Catamaran, The Sandy River Review, Van Gogh’s Ear, Blue Unicorn, Blackbox Manifold and elsewhere. His book-length collection, Hum, was published in 2022, and his work has been anthologized in several multi-author collections, most recently in a release from Anhinga Press.
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