I’ve gone belly-up for my prodigal and his knock-kneed swagger of hit-or-miss. It suits him, the fall from grace. Wafer-thin, minty-fresh, proto-punk. Everything wasted becomes the boy, crowd-sourced collar of hickeys blooming, the headless glamour of youth, all that I’d given up for lost. My prodigal returns to me without his keys, his coat, his shoes, tapping his familiar tattoo at my door as if I still had everything to give— a kingdom, a cigarette, a fatted calf— and all he had to do was ask.
Some mothers fear the worst. They still believe in the fiction of control. Poor kittens. Poor mittens. Poor sacrificial cotton socks. I seem to be the bearer of bad news; blue-eyed princeling, anime-bright, articulated idol, towhead intactus. A smile so sly you’ll forget your lunch. That smug reflex of maternal pride. Been there, done that. Took the fall from the broken bough, cradle and all. Almost a year since I almost lost him. Lost the plot. Lost my head. Lost the habit of believing in a time when “the worst” was still good enough.
I know I’m lucky to be forgiven, pretending to release him. This flattening fear is just my ticket, punched, pocketed, and then misplaced, along with his milk teeth; his sterling silver rattle, shaped like a barbell; and other treasures I thought I could save. Daydreams. Relics to prove I was there, when needing me was all the rage, before the rage became the question I couldn’t answer. False god, with my vicarious pain, and just a couple of apron strings to offer between creation and sacrifice.
He’s wandered back into the fold, trailing clouds of Marlboro Red. Has anything changed? His chin, sprouting its slapdash soul patch, punctuating the air of innocence on a tear. My wayward lamb, never met a wolf he didn’t like, and nothing so tender stays lost in the night. Not here, in Hollywood. I don’t know how not to hold on. I remember us still, on Primrose Hill, spinning on the roundabout, how sure I was not to let go too soon, his small hand, wholly in my grip.
“After twenty-five exhausting years as a film and television actress (Ferris Bueller’s Day Off, Legend, Time Cop, A Stranger Among Us, Jack and The Beanstalk: The Real Story), I took up writing as way to survive night shoots,” says Mia Sara. “It sort of worked. Now it’s words that keep me up all night. I live in Los Angeles, but I miss my hometown, New York City, every single day.”
Mia Sara’s writing has appeared or is forthcoming in PANK, Animal, Helix, Superstition Review, The South Hampton Review, poemmemoirstory, The Write Room, Smartish Pace, and The Cossack Review, among many others. Her chapbook Mid-life with Gorilla was published in 2014 by the Dusie Press, and her column “Wrought and Found” ran for two years on the PANK blog. Now she is contributing a oolumn, “Not Your High School Girlfriend,” to Barrelhouse. Her own website can be found at miasara.nyc.