Marc Vincenz
World Turtle, Cosmic Elephant, Mother Goose
Where We Commence
And the planet wobbles on the world turtle’s hard- won carapace, and the eight cosmic elephants, guardians of the edges of tomorrow, with a penchant for gumdrops, licorice and marzipan, raise up our world turtle, that the Earth, in a brief elephantine whisper, may freely turn to face the other side of the universe.
Seen With an Icy View Across an Icy Horizon
And in that narrow band between beginning and end, she is only the beginning, and she shuffles on until her very end, or so she says, then asks rhetorically: “Weren’t you the first warm-blooded soul who tasted the instinct in your own blood group?” Her glary-eyed stare under- scores the distaste that flashes across his compound eyes: “All those tannins protecting the heart,” she says, “all those core cells confounding their plasmatic plans to win your immortality. Gladiators you are born with the trident and fashionable net in your flexible fingers, that you might ensnare the next barnacle, entrap the evil minister in his early ministrations— at least, so it felt, we imagine, to those first gentle folk, whose hands pushed against the soil as they stool upright and faced all those tattle-tales.”
The Icebergs Break Off
“And we shouldn’t have to tell you, but we always imagined population control would be your demise; after all, we gave you rabbits and flies, flesh-boring worms, and the pregnant sunrise, the weeping tales of old wives and their avatars; you gave yourselves sandmen and merbrides, the Kraken, the Medusa and the Minotaur, gods of sea and sand, gods of trees and sky, gods of everywhere-all-the-time—any- thing to herd yourselves gently into that forbidden chamber of immunity— and then, twenty thousand years later, flowers open, conch shells scatter the shores, trees gather coconuts, crabs gather under coconut trees, and, turtles lay eggs on warm beaches under palm trees, singing to their own illimitable moon god.”
Spring Arises
And each and every hatchling sprints across the cool sand; yet, only one will become the next world turtle; only one will possess the shoulders to burden the ever-growing. “Perhaps we should have been born a mother goose and stuffed the world under our wing, and carried her further into the farthest reaches of the universe; released more of you children on the chimneys and hearths of another planet? See! Now we are finally building hard- spun mythology.”
In Each and Every Flower
And believe it or not, there’s a violin playing here on this rainy day in Port Emily, in those slicked cobbled alleys by the docks that lead down dead ends into courtyards of cracked homes, through dying gardens of hydrangeas, across drying lawns and drier soil, and through that sparse, thorny underbrush—and, everything seems to be fine in black and white, until we stumble across the carcass of a whale and three of her offspring groaning in the streets with their blood and blubber wail, with their sigh and foam, with eyes that stare from far below— as the man hacks, the camera pans, to the soft underbelly of a mythical creature—another of these fancy-footed with a heavy debt to pay; or so they say dribbling their sob stories over whiskey and rye; Jack Daniels will work at a pinch, but, be certain, there’s nothing much more certain than this ... even though there’s more to be said.
Believe Me
And it takes 12,000 murex snails to color the hem of a single emperor’s toga. It takes more than a rubber tree to make a single ball bounce. And how many whales does it take to fill a soap container, or old nags to fill a cup with gelatin? You know the piles of bones are mounting up, as are their plastic wrappings. Imagine, when you have long gone, what will you have deposited in the growing pile of guano?
Hungry Again
And why do black holes even exist? Look deep into the quantum and let us know when you have your decimal point or that faint integer responding to your missive.
Never Hungry Enough
And you know, the story goes on,
and the world has come to an end
a hundred-thousand times before.
“Don’t fret,” says our world turtle,
“everything can be used and re- / used,
re- / purposed and re- / cycled and re- / imagined.”
They glassy-eyed stare as their
fading ghosts fade on.
Marc Vincenz is a poet, fiction writer, translator, editor, musician, and artist. He has published over thirty books of poetry, fiction, and translation. He is publisher and editor of MadHat Press and publisher of New American Writing. His latest collections are The Pearl Diver of Irunmani (White Pine Press, 2023) and The King of Prussia is Drunk on Stars (Lavender Ink, 2024).
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