Watchman
In the history of everything, there Is always room for compromised vistas, sunsets Dulled by carbon fug, or the expressions Of mannish boys referencing each moment To the Cloud And room for biplanes buried in fields A hundred years since They slammed into the mud, the bones of pilots Wadded in mouldering khaki, mugged By slogans for hero volunteers For the expanse of misery branded God and Country In the wrong place To be black or female or last-stand human, in The wrong place against live-vein AI interdiction, there Is always room Indigenous rites in Malaysia, Iraq Or McDonald’s, tattoos punched through Hierarchy tropes of forest animals, animals In deserts or fetid celebrity monikers In the corner booth by the Exit, in the history of everything Where appearances matter … Children killed By mines ten years After armistice Hit squads indemnified Against genocide By gangster governments The journalist reporting Corruption at the polls Now missing Asylum seekers Sardined in sieves Sunk by freak waves Bird cages bright With songs breeding plague In village markets The donor organ For the last chance op No match A quantum clock Stirring ghosts Beyond time Has-been athletes Confusing Fast with faster A stem cell Bred for vacuum Now interstellar Adam The universe revealed In formulas the girl said Came to her in dreams ... What you said, what they said, what Lawyers for the shadow people said, what Children bathed in diarrhoea said To warlords in limos The crook who was king, the love bite On Liberty’s statue, sealing new Allegiances, new materials conducting New currents, the sangfroid pronouncements Of the old Republic swept unconscious Into the history of everything And room For drip-feed cryptos masquerading As law, the sweepstake For juntas promising only a little killing now What you said, what I said, each Syllable deconstructed into subatomic atonement For gang rape legislation dismissing ghosts Of glaciers and the burning hills … Metadata proof The child porn files The Senator’s In the cave litter Human bones, hacked By flint blades, gnawed Soldiers beneath Spring wheat Reburied with honours Parasites a hundred Million years asleep, killers Coy as ingénues Big Bang declension Of comet tails Seeding planets T-Rex, weak joints And walking pace, slow Train coming Pseudonym She used phoning Her husband’s lover Medieval pomp Of monarchies ripe For hackers The trial halted When the juror Saw the birthmark Bushmeat virus Traced to simmer pots Of bats ... War planes over the house, tandem Afterburners scattering rooks for miles, then vertical On hard Gs Against Russians probing air space east Armouries and oil reserves, land Mined by giant machines for metals sifted Into abacus memory stoking RAM, water Stripped of hydrogen for fuel To the stars … The dead wife Through mediums Revealed the codes Nerve agents On the traitor’s door knob Killed the town Her pretty feet With a Page of their own And more Followers Superyachts, berthed To the same tide As dhows Cryptocurrency Weight for weight With air On private jets Old men stroking Child brides Her beauty Overwhelming, he Resolved to kill her last Microbes boosted To military grade, secured In padded rooms Unnoticed among Dusty parchments, a play Initialled, WS Divers recovered Evidence the detectives Traced to this … People boiling paper for porridge, CEOs Slam-dunking dividends, State TV naming Suspects already dead in ditches, elections Poised between apathy and White Power militias, asteroids Approaching Earth in endgame arcs In the history of everything, there Is always room, for the watchman in the shadows Near the sea port, the star port, people With IDs cleansed of blood And memories and the ceremonies of chance For Jazz guys riffing Shakespeare, for poets Riffing Jazz guys riffing Shakespeare In one voice, saying Tell me who you are, who Are you now Who are you now
Estill Pollock | Contents
Mudlark No. 80 (2024)